Being Ordinary as a Female Pop Star: Behind-the-scenes in musical documentary portraits of Jada and Beyoncé

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Abstract

By comparing two contemporary musical documentary portraits, the Scandinavian newcomer Jada in Jada ‐ lillebitte kæmpestor (‘Jada ‐ super tiny mega big’) (2019) and the global pop artist Beyoncé in Homecoming: A Film by Beyoncé (2019), the article examines how ‘being ordinary’ in behind-the-scenes sequences can be used as a marker of authenticity.
OriginalsprogEngelsk
TidsskriftJournal of Scandinavian Cinema
Vol/bind11
Udgave nummer3
Sider (fra-til)297-305
ISSN2042-7891
DOI
StatusUdgivet - 1 sep. 2021

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