Picture and counter-picture: An Attempt to Involve Context in the interpretation of Theatre Italien iconography

Bent Holm

Picture and counter-picture: An Attempt to Involve Context in the interpretation of Theatre Italien iconography

Bidragets oversatte titel: Billede og modbillede: Et forsøg på at involvere kontekst i tolkningen af Théâtre Italien ikonografi

Bent Holm

Institut for Kunst- og Kulturvidenskab

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › peer review

1 Citationer (Scopus)

Abstract

Artiklen rummer en række eksempler på billedfremstillinger af den fransk-italienske commedia dell'arte fra det 17. århundrede, som sættes i ikonografisk og mentalitetshistorisk kontekst med henblik på en tolkning på to niveauer: Dels med reference til regimets selvrepræsentation, dels som afledt af en karnevalesk billedverden, som tilsammen udvider forståelsen af den politiske satire i grotesk retning, der implicit indeholdes i billederne.

Bidragets oversatte titel	Billede og modbillede: Et forsøg på at involvere kontekst i tolkningen af Théâtre Italien ikonografi
Originalsprog	Engelsk
Tidsskrift	Theatre Research International
Vol/bind	22
Udgave nummer	3
Sider (fra-til)	219-233
Antal sider	14
ISSN	0307-8833
Status	Udgivet - 1997

Emneord

Det Humanistiske Fakultet
Teaterhistorie
Commedia dell'arte
Karneval
Ludvig 14.
Teater ikonografi

Citationsformater

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title = "Picture and counter-picture: An Attempt to Involve Context in the interpretation of Theatre Italien iconography",

abstract = "The article contains a number of examples of depictions of the French-italian commedia dell'arte fra the 17. century, put into an iconographic and mentality historical context aiming at an interpretation at two levels: On the one hand a reference to the selfrepresentation of the regime and on the other hand a derivation from the carnivalesque imagery which all together expand the understanding of the political satire in a grotesque direction implicitly contained in the pictures.",

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AB - The article contains a number of examples of depictions of the French-italian commedia dell'arte fra the 17. century, put into an iconographic and mentality historical context aiming at an interpretation at two levels: On the one hand a reference to the selfrepresentation of the regime and on the other hand a derivation from the carnivalesque imagery which all together expand the understanding of the political satire in a grotesque direction implicitly contained in the pictures.

KW - Faculty of Humanities

KW - Teaterhistorie

KW - Commedia dell'arte

KW - Karneval

KW - Ludvig 14.

KW - Teater ikonografi

KW - theatre history

KW - Commedia dell'arte

KW - Carnivale

KW - Ludvig 14.

KW - Theatre iconography

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