Abstract
This paper considers the question of culturally-directed doublespeak in Josephus’ Jewish War, of the possibility of Josephus sending different messages to Gentile and Jewish readers in the same text. It offers two readings of a passage in Jewish War which describes the portents which prefigure the destruction of the Jerusalem Temple, and explores how Josephus expresses his narrative in a way which simultaneously evokes parallels with both Roman religion and biblical prophecy and historiography, resulting in a passage which resonates radically differently depending on the parallels which the reader can bring to bear, and which inverts the cultural power-dynamic of Roman imperialism by offering greater interpretative power to those readers who come from an unprivileged provincial culture. It offers a fruitful approach to considering an author who is marked above all by hybridity, and by a mastery of more than one literary tradition.
Originalsprog | Engelsk |
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Tidsskrift | Histos |
Vol/bind | 13 |
Sider (fra-til) | 78-96 |
ISSN | 2046-5963 |
Status | Udgivet - 2019 |