Abstract
The chapter discusses aspects of the cognitive and emotional underpinnings of viewers' experience of the real in audiovisual documentaries with a special focus on docudrama. It analyzes the psychological strategies that viewers use to evaluate the veracity of documentaries - eg Tversky and Kahneman's concepts :availability, representativeness and anchoring, and discuss how these mechanisms will make different viewers have different evaluations of the veracity of documentaries. The chapter exemplify the viewer-documentary interaction by an analysis of the docudrama "The Queen".
| Bidragets oversatte titel | Docudrama og den kognitive evaluering af realisme |
|---|---|
| Originalsprog | Engelsk |
| Titel | Cognitive Theory and Documentary Film |
| Redaktører | Catalin Brylla, Mette Kramer |
| Antal sider | 17 |
| Udgivelsessted | Cham |
| Forlag | Palgrave Macmillan |
| Publikationsdato | aug. 2018 |
| Sider | 75-91 |
| Kapitel | 5 |
| ISBN (Trykt) | 978-3-319-90311-6 |
| ISBN (Elektronisk) | 978-3-319-90332-3 |
| DOI | |
| Status | Udgivet - aug. 2018 |
Emneord
- Det Humanistiske Fakultet
- cognitive film theory, docudrama, cognitive reception processes