Abstract
This paper looks at artist driven initiatives in Denmark since the 1980s that have
aimed to document, collect, and archive the remains of an art form otherwise
deemed short-lived, ephemeral, and marginal to the history of the performing
arts. Approached through recent dance history as well as dance and archival
theory, it unpacks how dance artists have taken on the task to create platforms
to allow for insights from the past to inform the present as well as the future.
The discussion engages two examples, each of which belongs to a different
archival paradigm, before investigating in more detail a still ongoing dance
archival/(hi)story project initiated in 2018 by a group of choreographers and
dancers whose concept of their craft is informed by an expanded notion of
choreography. Facilitating platforms for transgenerational exchanges between
dance artists, the project named Danish Dance Stories explores participatory
formats for the sharing of tangible remains, documents, stories about dance
and the lives of dancers as well as the corporeal transmission of choreographic
material, training approaches, artistic philosophies, and proposals. It will be
argued that in the project’s entanglement of the ephemeral with the remains,
the stories and the embodied traces, dance history writing becomes an artistic
project in itself.
aimed to document, collect, and archive the remains of an art form otherwise
deemed short-lived, ephemeral, and marginal to the history of the performing
arts. Approached through recent dance history as well as dance and archival
theory, it unpacks how dance artists have taken on the task to create platforms
to allow for insights from the past to inform the present as well as the future.
The discussion engages two examples, each of which belongs to a different
archival paradigm, before investigating in more detail a still ongoing dance
archival/(hi)story project initiated in 2018 by a group of choreographers and
dancers whose concept of their craft is informed by an expanded notion of
choreography. Facilitating platforms for transgenerational exchanges between
dance artists, the project named Danish Dance Stories explores participatory
formats for the sharing of tangible remains, documents, stories about dance
and the lives of dancers as well as the corporeal transmission of choreographic
material, training approaches, artistic philosophies, and proposals. It will be
argued that in the project’s entanglement of the ephemeral with the remains,
the stories and the embodied traces, dance history writing becomes an artistic
project in itself.
Originalsprog | Engelsk |
---|---|
Bogserie | Nordic Theatre Studies |
Vol/bind | 33 |
Udgave nummer | 1 |
Sider (fra-til) | 57–71 |
Antal sider | 15 |
ISSN | 0904-6380 |
DOI | |
Status | Udgivet - 12 mar. 2022 |
Emneord
- Det Humanistiske Fakultet
- dance theory
- archival theory
- expanded choreography
- ephemerality and dance history writing