Music and notions of Wordlessness: Comparing concepts of Music in William Heinesen’s De fortabte Spillemænd (1950) and Halldór Laxness’ Brekkukotsannáll (1957)

Publikation: Bog/antologi/afhandling/rapportAntologiForskningpeer review

OriginalsprogEngelsk
Antal sider20
StatusIkke-udgivet - 2025

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