Music and notions of Wordlessness: Comparing concepts of Music in William Heinesen’s De fortabte Spillemænd (1950) and Halldór Laxness’ Brekkukotsannáll (1957)

Bergur Rønne Moberg

Publikation: Bog/antologi/afhandling/rapport › Antologi › Forskning › peer review

OriginalsprogEngelsk
Antal sider20
StatusIkke-udgivet - 2025

Citationsformater