Abstract
The ongoing repercussions of a permanently and persistently polluted planet present a critical juncture that requires new analytical engagements. This article uses translucence as a conceptual vehicle to explore chemical pollution by comparing amber with a buried chemical waste depot. These two modes of submergence animate discussions about time, existence, desirable and undesirable futures, and pasts. Translucence – light passing through a semi-transparent object and thus becoming transformed – helps conceptualize epistemes that diffusively alter perspectives rather than being clear or opaque. The article combines text and sound (http://doi.org/10.30687/LGSP/2785‑2709/2025/01/006/mmedia/001) to explore experiences of pollution and landscape across dual media interfaces
| Originalsprog | Engelsk |
|---|---|
| Tidsskrift | Lagoonscapes: The Venice Journal of Environmental Humanities |
| Vol/bind | 5 |
| Udgave nummer | 1 |
| Sider (fra-til) | 139-158 |
| ISSN | 2785-2709 |
| Status | Udgivet - 2025 |
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