Abstract
By comparing two contemporary musical documentary portraits, the Scandinavian newcomer Jada in Jada ‐ lillebitte kæmpestor (‘Jada ‐ super tiny mega big’) (2019) and the global pop artist Beyoncé in Homecoming: A Film by Beyoncé (2019), the article examines how ‘being ordinary’ in behind-the-scenes sequences can be used as a marker of authenticity.
Original language | English |
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Journal | Journal of Scandinavian Cinema |
Volume | 11 |
Issue number | 3 |
Pages (from-to) | 297-305 |
ISSN | 2042-7891 |
DOIs | |
Publication status | Published - 1 Sep 2021 |