Abstract
This chapter is about war drama and period drama focusing on the period 1900–1918, a time of great expectations that would turn out to be illusions. The chapter analyzes and compares period dramas, often family narratives, with a broader time perspective, and documentary and fictional war dramas seen from the perspective of soldiers at the front, their families on the home front or the political, strategic game behind the war. The two main examples analyzed are the German docudrama Tagebücher des Ersten Weltkrieges/Great War Diaries (2014), based on letters and diaries and mixing factual documentary elements with dramatized individual stories, and the British fictional period drama Parade’s End (2013), where war and modernity meets tradition and heritage.
Original language | English |
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Title of host publication | Palgrave European Film and Media Studies |
Number of pages | 28 |
Publisher | Springer Science and Business Media B.V. |
Publication date | 2020 |
Pages | 137-164 |
Chapter | 6 |
ISBN (Print) | 978-3-030-60495-0 |
ISBN (Electronic) | 978-3-030-60496-7 |
DOIs | |
Publication status | Published - 2020 |
Series | Palgrave European Film and Media Studies |
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ISSN | 2634-615X |
Bibliographical note
Publisher Copyright:© 2020, The Author(s), under exclusive license to Springer Nature Switzerland AG.