Abstract
The paper shows that the melodic material in quasi-improvised intonation melodies (echemata) in the period from c. 1200 to 1400 develop from being drawn from the traditional genres - especially the pasltikon and asmatikon - to acquiring a more free and decidely 'kalophonic' character.
| Original language | English |
|---|---|
| Title of host publication | Eastern Christian Studies : Tradition and Innovation in Late- and Postbyzantine Liturgical Chant - Acta of the Congress held at Hernen Castle, the Netherlands, in April 2005 |
| Editors | Gerda Wolfram |
| Number of pages | 14 |
| Volume | 8 |
| Place of Publication | Leuven/Louvain |
| Publisher | Peeters |
| Publication date | 2008 |
| Edition | 1 |
| Pages | 65-78 |
| ISBN (Print) | 978-90-429-2015-6 |
| Publication status | Published - 2008 |
Keywords
- Faculty of Humanities